diff options
author | Jonathan "Geenz" Goodman <geenz@lindenlab.com> | 2025-02-11 13:49:24 -0500 |
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committer | GitHub <noreply@github.com> | 2025-02-11 13:49:24 -0500 |
commit | d450295cf517784744552acb2e885a1657a60f7e (patch) | |
tree | 0a4d8bf00c8e50d2c05d19384f114b777e7b3a01 /indra/newview/app_settings/shaders | |
parent | 6a78b5b43cf14a30130dded0173ab914e282aa23 (diff) |
Additional water fixes and tweaks. (#3524)
* Incorporation of feedback for #3456
Diffstat (limited to 'indra/newview/app_settings/shaders')
3 files changed, 209 insertions, 155 deletions
diff --git a/indra/newview/app_settings/shaders/class1/deferred/postDeferredTonemap.glsl b/indra/newview/app_settings/shaders/class1/deferred/postDeferredTonemap.glsl index fc6d4d7727..c4610bffac 100644 --- a/indra/newview/app_settings/shaders/class1/deferred/postDeferredTonemap.glsl +++ b/indra/newview/app_settings/shaders/class1/deferred/postDeferredTonemap.glsl @@ -28,138 +28,11 @@ out vec4 frag_color; uniform sampler2D diffuseRect; -uniform sampler2D exposureMap; -uniform vec2 screen_res; in vec2 vary_fragcoord; vec3 linear_to_srgb(vec3 cl); - -//=============================================================== -// tone mapping taken from Khronos sample implementation -//=============================================================== - -// sRGB => XYZ => D65_2_D60 => AP1 => RRT_SAT -const mat3 ACESInputMat = mat3 -( - 0.59719, 0.07600, 0.02840, - 0.35458, 0.90834, 0.13383, - 0.04823, 0.01566, 0.83777 -); - - -// ODT_SAT => XYZ => D60_2_D65 => sRGB -const mat3 ACESOutputMat = mat3 -( - 1.60475, -0.10208, -0.00327, - -0.53108, 1.10813, -0.07276, - -0.07367, -0.00605, 1.07602 -); - -// ACES tone map (faster approximation) -// see: https://knarkowicz.wordpress.com/2016/01/06/aces-filmic-tone-mapping-curve/ -vec3 toneMapACES_Narkowicz(vec3 color) -{ - const float A = 2.51; - const float B = 0.03; - const float C = 2.43; - const float D = 0.59; - const float E = 0.14; - return clamp((color * (A * color + B)) / (color * (C * color + D) + E), 0.0, 1.0); -} - - -// ACES filmic tone map approximation -// see https://github.com/TheRealMJP/BakingLab/blob/master/BakingLab/ACES.hlsl -vec3 RRTAndODTFit(vec3 color) -{ - vec3 a = color * (color + 0.0245786) - 0.000090537; - vec3 b = color * (0.983729 * color + 0.4329510) + 0.238081; - return a / b; -} - - -// tone mapping -vec3 toneMapACES_Hill(vec3 color) -{ - color = ACESInputMat * color; - - // Apply RRT and ODT - color = RRTAndODTFit(color); - - color = ACESOutputMat * color; - - // Clamp to [0, 1] - color = clamp(color, 0.0, 1.0); - - return color; -} - -// Khronos Neutral tonemapping -// https://github.com/KhronosGroup/ToneMapping/tree/main -// Input color is non-negative and resides in the Linear Rec. 709 color space. -// Output color is also Linear Rec. 709, but in the [0, 1] range. -vec3 PBRNeutralToneMapping( vec3 color ) -{ - const float startCompression = 0.8 - 0.04; - const float desaturation = 0.15; - - float x = min(color.r, min(color.g, color.b)); - float offset = x < 0.08 ? x - 6.25 * x * x : 0.04; - color -= offset; - - float peak = max(color.r, max(color.g, color.b)); - if (peak < startCompression) return color; - - const float d = 1. - startCompression; - float newPeak = 1. - d * d / (peak + d - startCompression); - color *= newPeak / peak; - - float g = 1. - 1. / (desaturation * (peak - newPeak) + 1.); - return mix(color, newPeak * vec3(1, 1, 1), g); -} - -uniform float exposure; -uniform float tonemap_mix; -uniform int tonemap_type; - -vec3 toneMap(vec3 color) -{ -#ifndef NO_POST - float exp_scale = texture(exposureMap, vec2(0.5,0.5)).r; - - color *= exposure * exp_scale; - - vec3 clamped_color = clamp(color.rgb, vec3(0.0), vec3(1.0)); - - switch(tonemap_type) - { - case 0: - color = PBRNeutralToneMapping(color); - break; - case 1: - color = toneMapACES_Hill(color); - break; - } - - // mix tonemapped and linear here to provide adjustment - color = mix(clamped_color, color, tonemap_mix); -#endif - - return color; -} - -//=============================================================== - -void debugExposure(inout vec3 color) -{ - float exp_scale = texture(exposureMap, vec2(0.5,0.5)).r; - exp_scale *= 0.5; - if (abs(vary_fragcoord.y-exp_scale) < 0.01 && vary_fragcoord.x < 0.1) - { - color = vec3(1,0,0); - } -} +vec3 toneMap(vec3 color); void main() { diff --git a/indra/newview/app_settings/shaders/class1/deferred/tonemapUtilF.glsl b/indra/newview/app_settings/shaders/class1/deferred/tonemapUtilF.glsl new file mode 100644 index 0000000000..a63b8d7c2b --- /dev/null +++ b/indra/newview/app_settings/shaders/class1/deferred/tonemapUtilF.glsl @@ -0,0 +1,180 @@ +/** + * @file postDeferredTonemap.glsl + * + * $LicenseInfo:firstyear=2024&license=viewerlgpl$ + * Second Life Viewer Source Code + * Copyright (C) 2024, Linden Research, Inc. + * + * This library is free software; you can redistribute it and/or + * modify it under the terms of the GNU Lesser General Public + * License as published by the Free Software Foundation; + * version 2.1 of the License only. + * + * This library is distributed in the hope that it will be useful, + * but WITHOUT ANY WARRANTY; without even the implied warranty of + * MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU + * Lesser General Public License for more details. + * + * You should have received a copy of the GNU Lesser General Public + * License along with this library; if not, write to the Free Software + * Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA + * + * Linden Research, Inc., 945 Battery Street, San Francisco, CA 94111 USA + * $/LicenseInfo$ + */ + +/*[EXTRA_CODE_HERE]*/ + +uniform sampler2D exposureMap; +uniform vec2 screen_res; +in vec2 vary_fragcoord; + +//=============================================================== +// tone mapping taken from Khronos sample implementation +//=============================================================== + +// sRGB => XYZ => D65_2_D60 => AP1 => RRT_SAT +const mat3 ACESInputMat = mat3 +( + 0.59719, 0.07600, 0.02840, + 0.35458, 0.90834, 0.13383, + 0.04823, 0.01566, 0.83777 +); + + +// ODT_SAT => XYZ => D60_2_D65 => sRGB +const mat3 ACESOutputMat = mat3 +( + 1.60475, -0.10208, -0.00327, + -0.53108, 1.10813, -0.07276, + -0.07367, -0.00605, 1.07602 +); + +// ACES tone map (faster approximation) +// see: https://knarkowicz.wordpress.com/2016/01/06/aces-filmic-tone-mapping-curve/ +vec3 toneMapACES_Narkowicz(vec3 color) +{ + const float A = 2.51; + const float B = 0.03; + const float C = 2.43; + const float D = 0.59; + const float E = 0.14; + return clamp((color * (A * color + B)) / (color * (C * color + D) + E), 0.0, 1.0); +} + + +// ACES filmic tone map approximation +// see https://github.com/TheRealMJP/BakingLab/blob/master/BakingLab/ACES.hlsl +vec3 RRTAndODTFit(vec3 color) +{ + vec3 a = color * (color + 0.0245786) - 0.000090537; + vec3 b = color * (0.983729 * color + 0.4329510) + 0.238081; + return a / b; +} + + +// tone mapping +vec3 toneMapACES_Hill(vec3 color) +{ + color = ACESInputMat * color; + + // Apply RRT and ODT + color = RRTAndODTFit(color); + + color = ACESOutputMat * color; + + // Clamp to [0, 1] + color = clamp(color, 0.0, 1.0); + + return color; +} + +// Khronos Neutral tonemapping +// https://github.com/KhronosGroup/ToneMapping/tree/main +// Input color is non-negative and resides in the Linear Rec. 709 color space. +// Output color is also Linear Rec. 709, but in the [0, 1] range. +vec3 PBRNeutralToneMapping( vec3 color ) +{ + const float startCompression = 0.8 - 0.04; + const float desaturation = 0.15; + + float x = min(color.r, min(color.g, color.b)); + float offset = x < 0.08 ? x - 6.25 * x * x : 0.04; + color -= offset; + + float peak = max(color.r, max(color.g, color.b)); + if (peak < startCompression) return color; + + const float d = 1. - startCompression; + float newPeak = 1. - d * d / (peak + d - startCompression); + color *= newPeak / peak; + + float g = 1. - 1. / (desaturation * (peak - newPeak) + 1.); + return mix(color, newPeak * vec3(1, 1, 1), g); +} + +uniform float exposure; +uniform float tonemap_mix; +uniform int tonemap_type; + +vec3 toneMap(vec3 color) +{ +#ifndef NO_POST + float exp_scale = texture(exposureMap, vec2(0.5,0.5)).r; + + color *= exposure * exp_scale; + + vec3 clamped_color = clamp(color.rgb, vec3(0.0), vec3(1.0)); + + switch(tonemap_type) + { + case 0: + color = PBRNeutralToneMapping(color); + break; + case 1: + color = toneMapACES_Hill(color); + break; + } + + // mix tonemapped and linear here to provide adjustment + color = mix(clamped_color, color, tonemap_mix); +#endif + + return color; +} + + +vec3 toneMapNoExposure(vec3 color) +{ +#ifndef NO_POST + vec3 clamped_color = clamp(color.rgb, vec3(0.0), vec3(1.0)); + + switch(tonemap_type) + { + case 0: + color = PBRNeutralToneMapping(color); + break; + case 1: + color = toneMapACES_Hill(color); + break; + } + + // mix tonemapped and linear here to provide adjustment + color = mix(clamped_color, color, tonemap_mix); +#endif + + return color; +} + + +//=============================================================== + +void debugExposure(inout vec3 color) +{ + float exp_scale = texture(exposureMap, vec2(0.5,0.5)).r; + exp_scale *= 0.5; + if (abs(vary_fragcoord.y-exp_scale) < 0.01 && vary_fragcoord.x < 0.1) + { + color = vec3(1,0,0); + } +} diff --git a/indra/newview/app_settings/shaders/class3/environment/waterF.glsl b/indra/newview/app_settings/shaders/class3/environment/waterF.glsl index 7027e3796e..c56e38d016 100644 --- a/indra/newview/app_settings/shaders/class3/environment/waterF.glsl +++ b/indra/newview/app_settings/shaders/class3/environment/waterF.glsl @@ -90,21 +90,15 @@ uniform sampler2D depthMap; uniform sampler2D exclusionTex; -uniform float sunAngle; -uniform float sunAngle2; +uniform int classic_mode; uniform vec3 lightDir; uniform vec3 specular; -uniform float lightExp; +uniform float blurMultiplier; uniform float refScale; uniform float kd; -uniform vec2 screenRes; uniform vec3 normScale; uniform float fresnelScale; uniform float fresnelOffset; -uniform float blurMultiplier; -uniform vec4 waterFogColor; -uniform vec3 waterFogColorLinear; - //bigWave is (refCoord.w, view.w); in vec4 refCoord; @@ -126,6 +120,7 @@ vec3 linear_to_srgb(vec3 col); vec3 atmosLighting(vec3 light); vec3 scaleSoftClip(vec3 light); +vec3 toneMapNoExposure(vec3 color); vec3 vN, vT, vB; @@ -171,18 +166,18 @@ void calculateFresnelFactors(out vec3 df3, out vec2 df2, vec3 viewVec, vec3 wave // We calculate the fresnel here. // We do this by getting the dot product for each sets of waves, and applying scale and offset. - df3 = vec3( + df3 = max(vec3(0), vec3( dot(viewVec, wave1), dot(viewVec, (wave2 + wave3) * 0.5), dot(viewVec, wave3) - ) * fresnelScale + fresnelOffset; + ) * fresnelScale + fresnelOffset); df3 *= df3; - df2 = vec2( + df2 = max(vec2(0), vec2( df3.x + df3.y + df3.z, dot(viewVec, wavef) * fresnelScale + fresnelOffset - ); + )); } void main() @@ -194,6 +189,7 @@ void main() vB = cross(vN, vT); vec3 pos = vary_position.xyz; + float linear_depth = 1 / -pos.z; float dist = length(pos.xyz); @@ -216,6 +212,12 @@ void main() vec3 df3 = vec3(0); vec2 df2 = vec2(0); + vec3 sunlit; + vec3 amblit; + vec3 additive; + vec3 atten; + calcAtmosphericVarsLinear(pos.xyz, wavef, vary_light_dir, sunlit, amblit, additive, atten); + calculateFresnelFactors(df3, df2, normalize(view.xyz), wave1, wave2, wave3, wavef); vec3 waver = wavef*3; @@ -230,7 +232,7 @@ void main() vec3 norm = transform_normal(normalize(wavef)); vdu = clamp(vdu, 0, 1); - wavef.z *= max(vdu*vdu*vdu, 0.1); + //wavef.z *= max(vdu*vdu*vdu, 0.1); wavef = normalize(wavef); @@ -245,11 +247,6 @@ void main() distort2 = clamp(distort2, vec2(0), vec2(0.999)); - vec3 sunlit; - vec3 amblit; - vec3 additive; - vec3 atten; - float shadow = 1.0f; float water_mask = texture(exclusionTex, distort).r; @@ -258,8 +255,6 @@ void main() shadow = sampleDirectionalShadow(pos.xyz, norm.xyz, distort); #endif - calcAtmosphericVarsLinear(pos.xyz, wavef, vary_light_dir, sunlit, amblit, additive, atten); - vec3 sunlit_linear = srgb_to_linear(sunlit); float fade = 0; #ifdef TRANSPARENT_WATER @@ -289,8 +284,8 @@ void main() #endif float metallic = 1.0; - float perceptualRoughness = 0.1; - float gloss = 0.95; + float perceptualRoughness = blurMultiplier; + float gloss = 1 - perceptualRoughness; vec3 irradiance = vec3(0); vec3 radiance = vec3(0); @@ -300,7 +295,7 @@ void main() #ifdef WATER_MINIMAL sampleReflectionProbesWater(irradiance, radiance, distort2, pos.xyz, wave_ibl.xyz, gloss, amblit); #elif WATER_MINIMAL_PLUS - sampleReflectionProbes(irradiance, radiance, distort2, pos.xyz, wave_ibl.xyz, 1, false, amblit); + sampleReflectionProbes(irradiance, radiance, distort2, pos.xyz, wave_ibl.xyz, gloss, false, amblit); #endif vec3 diffuseColor = vec3(0); @@ -323,20 +318,26 @@ void main() pbrPunctual(diffuseColor, specularColor, perceptualRoughness, metallic, normalize(wavef+up*max(dist, 32.0)/32.0*(1.0-vdu)), v, normalize(light_dir), nl, diffPunc, specPunc); vec3 punctual = clamp(nl * (diffPunc + specPunc), vec3(0), vec3(10)) * sunlit_linear * shadow; - + radiance *= df2.y; + //radiance = toneMapNoExposure(radiance); vec3 color = vec3(0); - color = mix(fb.rgb, radiance * df2.y, df2.x * 0.99999) + punctual.rgb; + color = mix(fb.rgb, radiance, min(1, df2.x)) + punctual.rgb; + + float water_haze_scale = 4; + + if (classic_mode > 0) + water_haze_scale = 1; // This looks super janky, but we do this to restore water haze in the distance. // These values were finagled in to try and bring back some of the distant brightening on legacy water. Also works reasonably well on PBR skies such as PBR midday. - color += color * min(vec3(4),pow(1 - atten, vec3(1.35)) * 16 * fade); + // color = mix(color, additive * water_haze_scale, (1 - atten)); // We shorten the fade here at the shoreline so it doesn't appear too soft from a distance. fade *= 60; fade = min(1, fade); color = mix(fb.rgb, color, fade); - float spec = min(max(max(punctual.r, punctual.g), punctual.b), 0.05); + float spec = min(max(max(punctual.r, punctual.g), punctual.b), 0); frag_color = min(vec4(1),max(vec4(color.rgb, spec * water_mask), vec4(0))); } |